The need to craft words about the city falls away, for once you walk its wide open boulevards, there is no escaping the aura of power that envelopes it. Tangibly at that. Classic row houses lined up on broad, leafy avenues, impressive buildings of embassies and trade unions, grand hotels and saloons, followed by resplendent federal buildings and museums with their decided partiality for classical architecture, the many Ionic column, the mythological figures carved upon the facades… oh, but our senses were awash with these visions of grandeur. And all this, the conception of a Frenchman who in the late 1700s came upon a rolling landscape of hills and plantations, forests and marshes, at the confluence of two rivers. Together with the first president of the United States, Pierre Charles L’Enfant laid out an architectural groundwork for the city, imparting it with unequivocal majesty, but died without receiving payment and recognition.
It’s been a long-drawn-out two hundred years and more, Monsieur L’Enfant, but maybe, just maybe, you would strut its streets with pleasure, pronouncing it Ç’est Magnifique, even as you cock an eyebrow at the girl who walks past you with her mane of flaming brilliance and air of nonchalance.