europe

To Gibralfaro

Moorish Spain is enchanting. You who have wandered through the grand gardens of the Alhambra and the steep cobbled alleys of Albaicín in Granada, the Alcázar in Seville or even the Aljaferiá in Zaragoza, would know what I am banging on about. For one, the Moors knew how to pick on the best views of the city – for them though it was a matter of survival so they chose the locations of their fortresses for their defensive positions. But I would like to believe that the hedonists in them marvelled at the sight of what they had accomplished. Those great gardens of pleasure, water trickling off pretty fountains wrought in marble, intricate columns that look like they have been punched out of geometric patterns with precision and passion…for some reason they remind me of the ‘stately pleasure-dome’ decreed by Coleridge’s Kubla Khan. You know, those ‘gardens bright with sinuous rills,/ Where blossomed many an incense-bearing tree’. But then you might argue, ‘You daft creature, Kubla was a Mongol and his palace was in Xanadu, in another continent altogether.’ I merely refer to the lushness of the description concocted by Coleridge in his opium-induced dreams.

One of the Moors’ famed castles sits atop the hills of Málaga, surrounded by dense forests of eucalyptus and pine. My mission one noon was to walk up to Castillo de Gibralfaro before I took the train for Madrid with my husband and his colleague that evening. Of all the many unwise decisions I have taken during my solo travels – I have to confess there are many – Gibralfaro possibly topped it.

There is a route through the Alcazaba that takes you to the castle. I could not figure it out and naturally I took the longer trail after I got out of the Alcazaba. The plus point was that I got to make a pitstop at Plaza de la Merced, a square that was home to Pablo Picasso for the first three years of his life. The 20th century artist was born in a house here and took his first baby steps in this part of the world, so I had to go gawk at it even though the guard rattled out ‘no puedes entrar’ blended with sign language to inform me that it was shut for the day.

I passed through avenues of trees with silver barks, swishing in the gentle breeze that alleviated the heat of the noon, past old churches and villas that put me in mind of lavish courtyards, pitchers of iced teas and slowly rotating fans in cool, dark rooms, and trudged up a steep ascent. Small villages studded with white villas cropped up across the winding roads, and after what seemed like eternity, I arrived at Gibralfaro. During the entire duration of which I was passed by a dozen taxis and a couple of buses full of tourists as I huffed and puffed uphill, bullied by an unrelenting sun.

The views from the castle are spectacular beneath the midday sun, the pale shimmering waters of the Mediterranean holding you in its spell like an enchantress, loathe to release you. I walked its solid ramparts which towered above the port city and thought of what the Phoenician lighthouse might have looked like. For a lighthouse stood there before the Caliph of Cordoba built the castle sometime during the 10th century on that very site. Its name – derived from Gebel-faro orrock of the lighthouse’ – attests to it.  But the time that I spent in the castle ended on a whimper. Midway through it I looked at the watch and remembered I had a train to catch in an hour and a half. That and the husband’s wide collection of scowls made me whiz through the castle at remarkable speed before I made my way back to the hotel at an equally frantic pace – it somehow happened that I could not catch a bus during my way to the castle or on the way back.

At the end of it all, the palm-fringed beach near the hotel and a bottle of beer helped soothe my high-strung chattering when I met a startled Adi and his colleague. But the relief was this that I did get on the train to Madrid.

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Plaza de la Merced
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Picasso’s childhood home

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Gibralfaro
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From the ramparts of the fortress

 

 

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The drink that relieved my overwrought senses
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Train to Madrid

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